Some call him a Broadway master because his musical Phantom of the Opera surpassed his own record for the musical. As he stood up from a lobby chair to walk back into the house, he said, “I do always love to hear it. He has changed the musical theatre world. Several of his musicals have run for more than a decade both in the West End and on Broadway. I’d rather write another show, and get ‘Cinderella’ here.”īut first, he had “Phantom” to open the next day. Andrew Lloyd Webber, Baron Lloyd-Webber, Kt (born 22 March 1948) is an English composer and impresario of musical theatre. It’s an ordeal that could make for a chapter of the awaited sequel to his memoir, “Unmasked,” which follows his life and work only until “Phantom.” “Oh, I’m not writing that,” he said in the interview between rehearsals, adding with a puckish grin: “There’s too much I know. And when “Cinderella” at last debuted in the West End, its opening night was also a milestone for being that musical’s first performance for a full-capacity audience. From Joseph and the Amazing Technicolor Dreamcoat (1969) to. Cinderella, which cost 6m to put on, was endlessly delayed and initially forced to play to half-capacity audiences. Andrew Lloyd Webber has composed the scores of some of the worlds most famous musicals. Lloyd Webber has been a prominent critic of the government’s perceived lack of support for culture in general and theatre in particular over the past 18 months. During that time - and throughout the shutdown - he was one of theater’s fiercest and most outspokenly frustrated advocates. A letter from Andrew Lloyd Webber, read on stage at the closing night of Cinderella, suggested that opening his new musical during the pandemic might have been a costly mistake. and the fight to keep musical theatre open. Again, this is uncommon such attention from a composer is more likely to be given to a new show, such as Lloyd Webber’s latest, “Cinderella,” which opened in London this summer after a series of pandemic delays.
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